THE ROSES Movie Review
Fire up the oven (and rage) for our review of The Roses! On the menu: Olivia Coleman & Benedict Cumberbatch lead a stellar cast, are 2000s films back?, Americans and their firearms, couple communication, epi-pens and more!
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Hello warring spouses, and
welcome to the episode.
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Today we are taking a bite of
the roses.
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I.
Was very excited when we got the
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invitation to go see this movie
early.
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Thank you for Searchlight's
pictures.
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I'm excited for people to see
this movie.
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Has a great cast.
We'll get into it Before that.
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Make sure you're following us,
scribe, follow, leave a review.
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All those amazing things.
We are doing a new show over on
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Patreon where it's a bite of the
week and we talk about pop
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culture news, things that stuck
out to us.
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And you know, we just we gab on
the mic about it.
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But if that interests you, go
over there.
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Check it out.
Dollar a month, get free stuff.
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You know, we'd love a dollar.
Please, please, maybe we have a
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dollar.
And huge spoiler alert, of
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course, we're going to be
talking about the entire plot of
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the roses.
So let us officially take a bite
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of the roses.
Written by Tony McNamara and
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directed by Jay Roach.
When the tides of their
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individual fortunes turn with
one freak storm, Ivy and Theo's
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once simple life becomes
complicated, revealing that
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these roses truly have thorns.
I was.
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Waiting for you to do something
with Thorns.
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That's right, and I also have
some other gardening references
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later.
Love.
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So what did you think of the
roses?
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I liked it a lot.
I think this movie feels like a
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2000s movie.
I don't know how to describe it
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other than that meaning that
like so Jay Roach, who did this
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movie, it did meet the Fockers,
meet the parents did had a stint
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of like political movies like
the campaign and bombshell and
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stuff like that.
But it does feel like that.
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It feels like those movies,
which I really much appreciated.
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I I'm glad that we're still
getting movies like this in
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theaters, but I liked it.
I think it was a little darker
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than I thought it would be, but
it was still really, really
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funny.
And this cast, if it wasn't for
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Olivia Coleman and Benedict
Cumberbatch as the leads, I
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don't know how it would have
worked in this particular story,
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but I liked it.
Yeah, I enjoyed it as well.
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I think that, you know, it's,
it's funny 'cause these types of
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movies I'm not really a huge fan
of.
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So the only way that I can
explain it is the everything
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goes wrong movies, right?
It's like constantly getting
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knocked down, knocked down,
knocked down.
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You're watching these characters
kind of just like flounder and
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fall apart.
And you know, there's a lot of
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revenge in this movie and taking
things out on each other.
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And so it it does feel very
reminiscent of like the meet the
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fockers and meet the parents or
even just like there's something
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about Mary where the main
character just keeps getting the
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crap kicked out of them.
And so that happens here as
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well.
And so usually I don't like it.
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But I think your point of the
cast is what's really important
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here because they are so good
playing off of each other as our
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leads here.
I mean, they are definitely the
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strongest part of this movie.
Yeah, and it's fun to see these
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British expats in America, so
there's some comedy there.
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But the story itself, I was I
had never read War of the Roses.
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I remember seeing War of the
Roses, which I believe had
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Michael Douglas and.
Kathleen Turner.
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Kathleen Turner Been a very long
time since I've seen it and it's
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different, the story, but it's
the same story, like the things
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that happened.
I believe it's like a medical
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diagnosis that kind of puts
everything into motion.
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And this one, it's more of like
careers that one takes off, the
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other one gets like kind of like
way down there.
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So I thought that was
interesting.
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I think that's more relatable
ish now than the medical
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diagnosis.
I think just because we live in
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a capitalistic society where,
you know, our jobs and our money
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mean a lot.
And so having these two very,
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very funny actors play off of
each other in this and get that
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spiral down to just hating each
other with a lot of fun to see.
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And I think there's something to
be said, at least for me, in my
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eyes, I see them both as really
dramatic actors, right?
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So this really is a dramedy.
There is a lot of chance for
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comedy in this.
And I think that they do a
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really good job leading that
comedy.
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Because The thing is, is that
like you said, this could be
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very, very dark.
But if they weren't there to
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lighten it and their deliveries,
I think while the situations
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make you cringe, they also make
you laugh a little bit, and I
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think that's really important.
Otherwise it would feel like
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you're just getting beat over
the head with the same thing
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over and over again.
I did like the, you know, from
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the trailers that makes it seem
like most of the movie is the
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hating part.
And I was actually surprised how
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most of the movie wasn't the
hating part.
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It was getting to that.
It starts off with them in that
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therapy session and, you know,
her calling him a cunt and stuff
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like that.
So it was really funny and kind
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of jarring to see our characters
at the lowest part.
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But most of the movie was
actually kind of sweet in a lot
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of ways.
And then when they eventually
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start turning into each other,
it happens really in the bulk,
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like 30 last 30 minutes of the
the movie, Which I actually kind
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of appreciated because I liked
all of that leading up to the
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revenge.
Because I think seeing the
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revenge felt a little more sad
because we got to see them
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really love each other, but saw
them distancing themselves.
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I did read something that
Benedict Cumberbatch had said,
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something like, you know, it's a
movie about seeing people so
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much in love with each other and
then hating each other.
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They skip the middle ground with
that.
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And I do feel that in the movie,
and it was actually fun to watch
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because you just go from, oh,
they love each other to, whoa,
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how did we get to this part?
And that's kind of the point of
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the movie.
If you don't take care of the
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middle part, you're just going
to be in the bad part.
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Well, you know, there is also
sort of this time jump that
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happens, right?
There's like a 10 year time jump
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and a three-year time jump.
I think it's like 20 years.
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Throughout the whole thing.
And, and so the a lot of that
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middle part I think is where
we're not seeing them fall apart
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a little bit day by day.
But you know, it's interesting
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because the way the character is
written and I, and I've been
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trying to figure out whether I
think that this is a strength or
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a weakness of the film is that
they're very good at
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communication, especially in the
beginning.
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So much so that sometimes it
feels like they are taking lines
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directly from like a couples
therapy book.
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And it's almost like, wow, if,
if couples that are this good at
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communication are falling apart.
What what hope is there for
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those that aren't good with
communication?
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But I love the self-awareness
that they have because I think
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that if you're watching it, you
can, you can see yourself in
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both the characters at the same
time.
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And the fact that like they say
things like, I really think I
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need to apologize to you, you
know, and, or even when they're
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talking to themselves, they're
like, just apologize.
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You could do it, you know,
you'll be fine.
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And it's so it's, it's so much
about communication, but
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ultimately how they fall apart.
It's almost like, is there
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communication for communications
sake or communication with
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intent?
A.
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Lot of communication.
Well, I think what's interesting
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about that is that yes, they're
good at communicating, but
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they're not good at responding
to that communication.
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And I think that's the key
because specifically in a moment
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that I'll point out that I
really remember is when a lot of
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shit is going wrong.
And this is when they're like
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foldy in the hatred train
without having yet said it in
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the film, and they're flying
back from New York.
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They went off to, you know, just
kind of cool off and like have
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their time.
It didn't go well at all, but
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Olivia Coleman's character goes
into the bathroom and she's very
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upset with like she clearly sees
something's wrong and she's like
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just go in there, apologize, go
go in there and apologize.
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And she does apologize, but then
he responds badly.
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So it's it just constantly
snowballs after that.
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But what makes this movie fun,
though, is that like, yes, it is
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kind of sad to see this lovely
couple, especially how they met.
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It's such like a not even a meet
cute.
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It's like a meet sex.
It's just so like romantic and
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only in like, I don't know, like
an architect and a chef could
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do.
But then to see them kind of
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hate each other is like, oh, but
the cast, the supporting
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characters in this movie really
make it so funny, So, so funny.
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And just add more layers to
this.
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I was actually really surprised
that Anchutti was in this.
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Anchutti Gottroa doing an
American accent, which I didn't
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at first, didn't clock, but then
I clocked it.
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Yeah, I I didn't either until he
said something at the, at this
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like horrendous dinner party
that they throw where he says
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something like, yeah, with her
accent, I can't tell if she's
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like happy or sad or, or
something along those lines.
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And I was like, wait a minute,
Is he not British?
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No, But the supporting cast is
really incredible.
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I think you know, one of the
standout roles in this is Amy,
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played by Kate McKinnon.
She has this bizarre, bizarre
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role.
Basically, she is with Andy
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Samberg, but all she wants to do
is have sex with Theo, Benedict
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Cumberbatch's character.
And there is one of the most
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awkward hugs that I think has
ever existed in cinema, where
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she's like rubbing her crotch
against his legs.
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Spoil it.
Don't spoil that.
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Yeah.
I mean, I think, you know,
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what's funny about her character
is that like, I couldn't
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separate SNL from her character.
I very much felt like it was an
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SNL character that they just
like plopped into this movie.
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It worked, but it was like, I
don't believe that you're
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straight, you know, like I'm
like, she reminded me of the
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what's the skit that she did?
It was with the kittens.
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Oh yeah, yeah, yeah.
That that's the character.
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I don't know why but this is the
character or the the like the
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farm stand that one.
That one I.
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Think is, yeah, that is the
character that I I see in this
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movie of that she's playing,
yeah.
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The big meat boy, Colin, Yeah.
Anyway, But yes, I agree with
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that.
I mean, and I think that's the
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thing with Kate McKinnon is that
she kind of sits solidly in one
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character archetype.
They just put her in different
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scripts and in different
costumes.
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But I still think you needed
that levity.
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I also think with these
characters, we, there's, there's
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some sort of comment here about
America, right, Because Theo and
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Ivy, they move from England
obviously over to America and
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there's their American friends
and they're obsessed with guns
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and they wear puffer vests and
they're.
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When we first meet them, they're
American friends.
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They're they meet them at a gun
range.
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Yeah.
And it is so uncomfortable, but
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it's like, Oh my God, this is
what America is like.
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And I hate that people think
this and the.
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Couples are like the American
couples are almost like getting
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off at the gun range.
They all are.
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They all get off on like really
weird things.
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Kate Mckennon's character is
married to Andy Samberg's
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character, which I I'm like like
iffy with Andy Samberg,
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especially his humor could
either be super bro Y or just
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like it's fine, like fart humor.
I actually really like the lane
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he was in this movie because
Kate Mckennon's character was so
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00:11:03,160 --> 00:11:06,600
wild and out there.
Andy Samberg's character, Barry
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00:11:06,960 --> 00:11:10,240
was kind of almost tamed, but
just like reacting to Kate
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Mckennon's like, Oh, we don't do
that.
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00:11:12,200 --> 00:11:14,160
Let's like, Oh, we haven't
talked about that yet, you know.
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So it's really, it was fun to
see him restraint a little bit
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in that.
The other couple in this are
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Sally, played by Zoe Chow, and
Rory, played by Jamie Demetrio.
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Zoe Chow, I think is just an
incredible actor and whatever
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she's in and Jamie Demetrio, he
you might know him from Fleabag.
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He is Natasha Demetrio's
brother.
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So who played Nadia in What We
Do in the Shadows.
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So they're kind of this
incredible sibling team and
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they're, well, they're also
architects, right?
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Theo, our main characters and
architect.
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And so I think they kind of
represent the competitive nature
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of America and how they'll kind
of kick you when you're down,
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but with a smile on their faces.
He had, he had said something
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where because he's designing
this like Maritime Museum for
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the town that they live in,
which I want to live there
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because it looks absolutely
gorgeous and beautiful.
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But he's talking to them about
it and he's just like to his
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face saying, I hope it fails.
And it was so bizarre and
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uncomfortable that I'm like,
what is this character?
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Because he disappears for the
entire movie and then comes back
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at the end.
And I was like, this character
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is weird.
It's super weird.
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Yeah.
Yeah.
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But I really liked I I think the
cast was so good.
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It was so much fun.
And that's, I think what makes
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me say it's like a 2000s movie
because the cast is so stacked
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and they all have these, like,
weird, quirky things about them.
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And they're such characters in
the movie that just like, oh,
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you could point out, like, this
is my favorite part in the
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movie, that hug that Kate
McKinnon does.
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Like, those are the moments
that, like, you remember from
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these types of movies.
And I like that we're still
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doing those.
Yeah, I think the it's those
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cringe inducing moments, you
know, it, it takes kind of
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things that can happen in real
life and just turns it up to
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make it farcical and that's what
makes it enjoyable, right?
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What was that?
I said fartsicle.
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Oh my.
But you know, I think that
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there's a lot also being said
about just being in a couple in
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general and how complicated it
is, you know, to take the the
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name of the movie, the roses.
You know, there's that saying of
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in every couple there's a flower
and a gardener, and in this one
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it seems like they're both just
flowers, right?
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And no one is really listening
or tending to each other's
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needs.
Well, I do want to say before we
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get to that part, yes, I I
agree.
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Like I it's interesting because
I think it's it's apparent as
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the movie goes on because you
think that Olivia Coleman's get
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Ivy is very much like I'm good
with being like a stay home mom.
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I'm going to bake all these
things.
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I used to be a chef.
I'm totally fine with this.
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Secretly she has this like thing
that could get big and it does
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get big and his job disappears
in an instant.
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But they have kids and these
kids are so bizarre.
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And this is the thing that like
I always think about like
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couples that have kids of like,
what things are you passing on
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to your children that aren't
healthy and are healthy?
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And it's like he passed on, like
being an amazing athlete, but
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like, was that healthy for them
to grow up in?
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But like, these kids are
bizarre.
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Yeah, well you could see in the
beginning, right, it shifts
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because when she's the stay at
home parent, they have no
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self-control when it comes to
food.
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They're just going to eat and
they're going to be wild and
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have fun and don't care about
things.
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But have fun.
But have fun, right?
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And so then when she becomes
famous and then he becomes a
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00:14:35,000 --> 00:14:39,200
stay at home parent, then they
become these workout machines.
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00:14:39,400 --> 00:14:44,080
And I'm sitting there going, is
there some school in Miami where
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kids can go and be athletes at
13 or 14?
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00:14:46,960 --> 00:14:48,920
I mean.
Yeah, there's scholarships.
290
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Some colleges like Except young
kids for scholarships, yeah.
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00:14:52,360 --> 00:14:54,680
I guess so, yes.
But they are they're robots.
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And so, but that's The thing is
that, and I think while there
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00:14:59,080 --> 00:15:01,400
was that deal of she was going
to go off and pursue this
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culinary career and he was going
to stay at home, they never
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00:15:04,040 --> 00:15:05,840
checked in with each other, no.
Right.
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Well, that's that middle part
that just never happened.
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00:15:08,120 --> 00:15:10,720
So she was off living her dream
and he was home taking care of
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00:15:10,720 --> 00:15:14,040
the kids, but only in his one
way of being able to take care
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of them.
And so that's where they kind of
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became these robot children.
But I think that, you know, is
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00:15:20,600 --> 00:15:23,400
interesting.
You know, this movie made me sit
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00:15:23,400 --> 00:15:26,480
back and it kind of makes you
reflect on yourself a little
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00:15:26,480 --> 00:15:29,040
bit, I think.
How do I react in bites?
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What pieces of my parents do I
have?
305
00:15:32,800 --> 00:15:35,440
You know?
And so it's it's interesting
306
00:15:35,440 --> 00:15:38,680
that this sort of comedic
dramedy mayhem could actually
307
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make you sit and think like,
damn, are we all just messed up?
308
00:15:41,800 --> 00:15:44,320
Well, that's, yeah, those those
are the sign of a good movie and
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00:15:44,320 --> 00:15:47,240
a good writing, right.
And I I do want to point out,
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though, the wardrobe, whoever
did the wardrobe in this movie,
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00:15:50,440 --> 00:15:53,960
Olivia Coleman specifically, I
want all of her outfits.
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00:15:53,960 --> 00:15:56,080
I don't like just they were
amazing.
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They were flowy.
The patterns, the use of lines
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00:15:58,560 --> 00:16:01,080
going different ways.
I was like, mesmerized this
315
00:16:01,080 --> 00:16:04,080
entire movie.
But yeah, I think the movie does
316
00:16:04,080 --> 00:16:08,320
a good job of making you laugh
at them being like, oh, this is
317
00:16:08,320 --> 00:16:11,440
like an exaggerated version of
like stuff that happens in
318
00:16:11,440 --> 00:16:13,880
relationships, but it is kind of
gross.
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00:16:13,880 --> 00:16:17,400
Like, I do hate the person I'm
with, but I don't hate the
320
00:16:17,400 --> 00:16:19,280
person I'm with.
Like that's like an an
321
00:16:19,280 --> 00:16:21,040
exaggerated version of it,
right?
322
00:16:21,240 --> 00:16:23,920
Because they're like, no, I do
hate you, but I still love you.
323
00:16:23,920 --> 00:16:27,640
It's, it's so bizarre to see in
like a scale like that because
324
00:16:27,640 --> 00:16:29,840
it's like, yeah, I guess you are
sharing your life with this
325
00:16:29,840 --> 00:16:31,360
person.
You're not going to love every
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00:16:31,360 --> 00:16:33,960
aspect of them, but it's how you
respond to it.
327
00:16:34,040 --> 00:16:36,760
Right, right.
Yeah, it's it's definitely
328
00:16:38,280 --> 00:16:40,000
something to sit and think
about.
329
00:16:40,240 --> 00:16:43,280
But I also think of taking this
movie.
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It seems so these are like the
universal themes of the movie,
331
00:16:46,840 --> 00:16:48,440
right?
And I think it could take place
332
00:16:48,440 --> 00:16:50,360
at any time.
But there are certain things in
333
00:16:50,360 --> 00:16:53,480
this movie that I think really
solidify it in the 20 twenties,
334
00:16:53,480 --> 00:16:58,120
right as far as the use of
social media for both of their
335
00:16:58,120 --> 00:17:00,720
careers, how it takes one down
and builds the other one up.
336
00:17:01,440 --> 00:17:05,160
The idea of sort of like this
Alexa that controls their house,
337
00:17:05,160 --> 00:17:08,440
which is then used to in their
fight back and forth.
338
00:17:08,680 --> 00:17:13,119
So it's interesting that like, I
think it's, it's like the plot
339
00:17:13,119 --> 00:17:16,359
itself feels like an early 2000s
movie, but some of the details
340
00:17:16,359 --> 00:17:20,880
keep it firmly here.
But I think the the what they're
341
00:17:20,880 --> 00:17:22,920
going through is very universal
as a couple.
342
00:17:22,960 --> 00:17:25,319
Yeah, yeah, which was very smart
for them to do.
343
00:17:26,280 --> 00:17:31,040
And I like that they changed.
They clearly used the original
344
00:17:31,440 --> 00:17:34,240
as like a starting point and
kept all of that, but then made
345
00:17:34,240 --> 00:17:36,480
it their own.
And I do like that for remakes.
346
00:17:36,480 --> 00:17:38,720
I think like if we're going to
do remakes, this is a smart way
347
00:17:38,720 --> 00:17:41,040
to do it.
And it's been since the 80's the
348
00:17:41,480 --> 00:17:44,200
the last time we had it.
But yeah, I think it's really
349
00:17:44,200 --> 00:17:46,760
good.
I don't really want to talk
350
00:17:46,760 --> 00:17:48,280
about the final part of the
movie.
351
00:17:48,280 --> 00:17:51,320
I think that people need to
experience that because it is
352
00:17:51,440 --> 00:17:53,520
quite wild.
As soon as like, the dinner
353
00:17:53,520 --> 00:17:57,680
party happens, that's when it
starts getting like, oh, this is
354
00:17:58,600 --> 00:18:00,600
this is a lot.
This is a, this is a sign of
355
00:18:00,600 --> 00:18:02,080
like, there's no return from
this.
356
00:18:02,800 --> 00:18:04,800
I'm very excited for people to
see this movie.
357
00:18:04,800 --> 00:18:06,680
I think it's going to be one of
those like, Staples.
358
00:18:06,680 --> 00:18:09,240
It's a good date night movie.
It's a good, like, let's bring
359
00:18:09,240 --> 00:18:11,040
our friends to go see this.
Yeah.
360
00:18:11,040 --> 00:18:13,640
I, I think this was a surprise.
I didn't actually see the
361
00:18:13,640 --> 00:18:15,320
trailer before we got invited to
it.
362
00:18:15,320 --> 00:18:18,520
Saw the trailer and I was like,
oh, this seems like fun.
363
00:18:18,520 --> 00:18:19,280
Yeah.
Absolutely.
364
00:18:19,280 --> 00:18:21,160
It was fun.
Like we said, the cast is
365
00:18:21,160 --> 00:18:25,840
incredible and I think that
overall it'll give you a lot to
366
00:18:25,840 --> 00:18:29,240
talk about and also teach you
how to not throw a dinner party.
367
00:18:29,400 --> 00:18:33,560
Yes.
Yes, and also keep epipens if
368
00:18:33,560 --> 00:18:36,160
you have allergies.
Keep raspberries, yes.
369
00:18:36,360 --> 00:18:37,720
Keep them.
Keep them nearby.
370
00:18:38,040 --> 00:18:40,400
If you will end up seeing the
roses, let us know what you
371
00:18:40,400 --> 00:18:42,480
think.
You're in for a wild ride for
372
00:18:42,480 --> 00:18:44,280
sure, so buckle your seatbelts,
kids.
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00:18:45,280 --> 00:18:47,600
Get rough.
So next time, bye bye.